The latest issue of Philosophy East and West is out. It has a single theme, Theater, and it all looks so fascinating and delightful that I will include all entries below and not only those pertaining to Indian Philosophy.
- Play, Theater, and Nondualism: A Philosophical Meditation by Devasia M. Antony
- From Puzzling Pleasures to Moral Practices: Aristotle and Abhinavagupta on the Aesthetics and Ethics of Tragedy by Geoff Ashton and Sonja Tanner
- Being Staged: Unconcealment through Reading and Performance in Marlowe’s Doctor Faustus and Bharata’s Nātyaśāstra by Swapan Chakravorty
- The Theater and Classical India: Some Availability Issues by Probal Dasgupta
- Li Yu’s Theory of Drama: A Moderate Moralism by Peng Feng
- Money, Morality, and Masculinity: Staging the Politics of Poverty in Sanskrit Theater by Jesse Ross Knutson
- Theatrics of Emotion: Self-deception and Self-cultivation in
Abhinavagupta’s Aesthetics by Sthaneshwar Timalsina - Brecht’s Materialist Ethics between Confucianism and Mohism by Markus Wessendorf
- Sharing Emotions Through Theater: The Greek Way by Paul Woodruff
- Achieving the Way: Confucian Virtue Politics and the Problem of Dirty Hands by Sungmoon Kim
- Erasing Tracks: Longchenpa and Bataille on Praxis — Its Negation and Liberation by Gidi Ifergan
- Sufism in Western Historiography: A Brief Overview by Atif Khalil and Shiraz Sheikh
- Paradoxes and Possibilities of “Confucian Freedom”: From Yan Fu (1853–1921) to Mou Zongsan (1909–1995) by Kai Marchal
- How Did Zhong Ziqi Understand Bo Ya’s Heart-Mind? Hetero-referential Aspects of Early Chinese Music Theory by Ken Berthel
- Fixing the White Horse Discourse: Zhuangzi’s Proof of “A White Horse Is not a Horse” by Thomas Ming and Aaron Lai
- Parmenides’ and Śankara’s Nondual Being without Not-being by Chiara Robbiano
- A Confucian Virtue Theory of Supererogation by Lei Zhong
